This volume contains selected papers from a December 2006 Dumbarton Oaks symposium that complemented an exhibition of early Bible manuscripts at the Freer Gallery and Sackler Gallery of Art titled "In the Beginning: Bibles before the Year 1000." Speakers were invited to examine the use of the Greek Old Testament as a text, social practice, and cultural experience in the Byzantine Empire. Not only are reminiscences of the Old Testament ubiquitous in Byzantine literature and art, but the Byzantine people also revered and identified with Old Testament role models. The Old Testament connected Byzantium not only with its Christian neighbors but with Jewish and Muslim peoples as well. This widespread phenomenon has never received systematic investigation. The Old Testament in Byzantium considers the manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations and the construction of Muhammad's character.

The fourteen essays in Viewing the Morea focus on the late medieval Morea (Peloponnese), beginning with the bold attempt of Western knights to establish a kingdom on foreign soil. Reinserted into this tale of Crusader foundation are the large numbers of Orthodox villagers who shared the region and created their own narrative of an eternal and sacred empire generated by the pains of loss and the hopes of refoundation. Layered upon the historical and physical topography of the region are the traces of the Venetians, whose “right eye,” Modon, was located at the peninsula’s southwestern tip. How these groups interacted and how they asserted identity is at the center of inquiry in these essays. Also at the core of this study is the understanding of place and memory—the recollection of the ancient history of the Peloponnese, the architectural and cartographic marking of its mountains and valleys, the re-creation of distant capitals on its land, and the refashioning of the Morea for a Renaissance audience. The authors look at the Morea and its people in the broadest possible manner and with careful attention to written and material evidence, historiography, economic networks, and the making—or retelling—of myths.